“Evacuee,” with Steve Sidwell’sīrass lines poignantly conjuring up a lost common history (almost on a par with Of a future, for which the song had been commissioned. Kidman film Far And Away, about Irish refugees coming to Oklahoma in search Version specifically written to accommodate the plot of the Tom Cruise/Nicole If more convincing in its original Anglo-Irish Gaelic form than the English Of Days” is about as lively as the album gets very percussive and propulsive, Dora Saint) – perhaps Enya felt that she had been “complimented out of Of a novel by the South Norwood-born author, and Jane Austen acolyte, Miss Read “Miss Clare Remembers,” is a brief, limpid instrumental inspired by the title “No Holly For Miss Quinn,” as with Watermark’s Not finally used in, the Steve Martin film L.A. “Angeles,” a prayer to angels, was written specifically for, but Reproductive of, both Irish and Scottish Gaelic its purpose was to drawĪttention to the waulking songs typically sung by the Scottish cloth-weaving Of feeling over meaning, since it features mouth music suggestive, but not strictly – it is an ancient name for the Hebridean islands – is a brief study in the predominance Manner the Ryans have said that the Wall of Sound and Brian Wilson were major With their sundry manifestations in a near-ahuman, or possibly superhuman, Her voices – for thereĪre many of her voice here, overdubbed innumerable times – flow into and blend Mythology, but its canny waltz status helps differentiate it. Track itself is a reasonably placid, piano-led introduction to the album, and itsīig single (or one of them), “Caribbean Blue,” might sound a little like “Orinocoįlow” with its abstracted talk about the Anemoi, the wind gods of ancient Greek Protect the main planet much as a shepherd might protect their flock. Pandora and Prometheus, which had been discovered in 1980 and were felt to Term “shepherd moons” refers to the two inner satellite moons of Saturn, In no particular rush to replicate Watermark and indeed endeavoured to forgetĪbout that record as much as possible while making this one therefore the
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To upgrade her studio and install better and more sophisticated equipment. Versions and an overall more assured approach Enya had been somewhat dauntedīy the unexpected success of Watermark, but its proceeds did enable her Likes of Westlife (there is no way that Louis Walsh could not have heard thisĪnd been affected by it) – with the addition of a couple of well-chosen cover
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Interludes continues - I would also observe that the rhetorical final verse keyĬhanges which form a major characteristic of Enya’s work indicate a path to the Watermark mix of moodily ambient songs with strategically-positioned instrumental It’s a good and imaginative formula and Enya and the Ryans deploy it with greatĮfficiency and inventiveness – although many Enya songs may sound similar, no But then oneĬould shrug that Ramones Leave Home was little more than a sequel to Ramones. Watermark since the two are almost identically structured. Shepherd Moons only really makes sense as a sequel to its 1988 predecessor Relationship as that of Elton John and Bernie Taupin, blending poeticism, Product of true collaboration, with her manager and producer Nicky Ryan and lyricist Yet Enya is not really alone, except perhaps on her music, with only discreetĪdditions here and there (clarinet, cornet, uilleann pipes). The Aphex Twin (there are certain sonic overlaps between Shepherd MoonsĪnd Selected Ambient Works Volume II a nocturnal ice-skating sense ofĭarkening infinity) or Derek Bailey (to whom Ian Carr applied the above To exploring and expressing her own interior vision – one could be speaking of
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Austere, uncompromising and formidably committed Is really nobody else in music like Eithne Pádraigín Ní Bhraonáin, or, if you Keep From Singing?/Ebudæ/Angeles/No Holly For Miss Quinn/Book Of Days/Evacuee/Lothlórien/Marble
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Track listing: Shepherd Moons/Caribbean Blue/How Can I